Jenna Collins : I am concerned with how we make sense of the world as we find it by interrogating what is actually there. Informed by Albert Camus’ notion of the absurd, my subject matter is the sites and instants at which beliefs and universal givens meet the material world. After working with video for a number of years I have recently completed the MA Drawing at Camberwell where I examined my video sensibility in a drawing environment, asking such questions as ‘if the vanishing point in a drawn image in some way locates the viewer, can video offer a similar fixed point?’ Notions of observation, documentation, trace and line resonate in both fields, the result being drawn images that are essentially video in their logic, videos that are drawings in every way other than form, and installation work that operates in the interstice. jennacollins@yahoo.com